Over the last decade, I’ve worked across film, television, music videos, and commercials — building a career rooted in resourceful design, tight logistics, and crew-first collaboration. I’m equally comfortable jumping into a union commercial with strict parameters or helping build the creative and logistical plan from the ground up on a lean feature, commercial or activation.

My background in Art Department coordination means I bring more than just aesthetics to a project — I understand budget breakdowns, scheduling realities, union/non-union labor rules, and the on-set grind. I’ve led crews in small and large markets, built ground-game logistics in unfamiliar cities, and pride myself on adapting to what each production needs.